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Front View of the Minolta Autocord CDS

Front View of the Minolta Autocord CDS

Minolta Autocord CDS

October 5, 2020

I had purchased my Minolta Autocord CDS cameras about three months ago. There were quite a few questions about it when I bought it. The previous owner didn't know if it was working, even after giving them some tips to check. I took a chance and bought it. When it arrived, the shutter worked great, and the aperture moved as it should. A good friend told me the focus was notorious for hanging up. It moved smoothly and focused well. The meter didn't have a battery, so I purchased a battery for the light meter. When I installed the batter, it took some time for it to react to light. Eventually, it did and seemed close to accurate. Now I was excited to take it for a test drive.

A little background.

Kazuo Tashima founded Minolta in Osaka, Japan, in 1928 as Nichi-Doku Shashinki Shōten, which means Japanese-German Camera Shop. In 1931, the company updated its name to Minolta, which stands for Mechanism, Instruments, Optics, and Lenses by Tashima. In 1937, the company reorganized as Chiyoda Kogaku Seikō, K.K. At this time, they introduce their first Twin Lens Reflex (TLR) camera, the MinoltaFlex, based on the German Rolleiflex cameras. The MinoltaFlex was only the second TLR introduced from Japan after the Prince Flex by Neumann & Heilemann. In 1947, Minolta introduced rangefinder cameras like the Minolta-35, and in 1959, the Single Lens Reflex (SLR) SR-1 camera. In later years they sign agreements with Leica and come out with the first autofocus SLR, The Maxxum 7000.

The Camera.

The Autocord line from Minolta was their take on competing with the upper end of TLR cameras. In the 1950s, the TLR market was getting saturated with several different manufacturers. There were some features that Minolta had, which was unique. Their system had a crank wind advance with a shutter cocking mechanism, a tremendous four-element Rokkor f3.5 lens which competed with the similar Zeiss Tesar lenses, and a button on the side which allowed the winding lever to move backward, allowing the camera to cock the shutter. By doing this, it allowed the camera to offer double exposures.

Another unique feature is the way the camera focuses. It focuses by a sliding bar under the lens instead of a dial to focus on other TLR cameras. I like this from the standpoint of holding the camera. You slide the bar to focus, and the camera sits cupped in your hand. The winding lever also has a hinge at the top so you can tuck away the crank handle when not using it. The camera opens from the top-down as opposed to from the bottom up. Other TLR cameras like Rolleiflex/Rolleicord cameras open bottom-up. A button you pull on the top left side opens the back of the camera.

Minolta-Autocord-CDS_3.jpg
Right Side Front View Left Side

Shooting the camera

Taking the camera out and shooting with it was fun. I wasn't too sure if the meter was accurate but relied on it when shooting. Let me explain how the meter works. On the top left of the camera as you're holding it is a tunable dial. The meter setting is Off, Hi, and Low. On the side of the dial is a button to push for "battery check." I turned the dial to "Hi" for the majority of the images during daylight. Looking down at the meter, it gives you a number. On the left of the lens is a movable arm that points to corresponding numbers from the meter. By doing so, you are shutter/aperture settings. The same component also controls the shutter speeds, which you see in the window on top. A similar arm on the right side of the lens sets the aperture setting. I did have an opportunity to use the "Low" setting on the meter during a very shadowy and dark situation. It, too, seemed accurate, so I was delighted by the accuracy of the meter.

Lightmeter Slider to set from meter Minolta-Autocord-CDS_15.jpg

Images from Minolta Autocord CDS.

Lake-Quinault-9-2020_004.jpg
Lake-Quinault-9-2020_015.jpg
Lake-Quinault-9-2020_021.jpg
Lake-Quinault-9-2020_028.jpg
Lake-Quinault-9-2020_033.jpg
Lake-Quinault-9-2020_048.jpg
Lake-Quinault-9-2020_049.jpg
Lake-Quinault-9-2020_004.jpg Lake-Quinault-9-2020_015.jpg Lake-Quinault-9-2020_021.jpg Lake-Quinault-9-2020_028.jpg Lake-Quinault-9-2020_033.jpg Lake-Quinault-9-2020_048.jpg Lake-Quinault-9-2020_049.jpg

My Experience

 I'd have to say; I enjoy shooting with this camera over any of the Rolleiflex, Rolleicord, Mamiyaflex, or other TLR cameras I've had the pleasure of shooting with over my career. The camera fits nicely in my hand. The focus is smooth, and once I got used to where the focus slider was, it felt more natural. The meter was easy to use and accurate. The case fits well, and there's even a cap for the meter area. My camera didn't have a strap, so I needed to carry in my hands the entire time or put it in my bag to carry. It looks like I'll be purchasing a strap and putting this gem in the rotation for shooting. It's an excellent camera. Pick one up if you're looking for a good TLR to use.

Camera in case.

Camera in case.

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Camera Collecting Blog

Here is some background information about my life.

I can still vividly recall the pivotal moment when my uncle gifted me my first camera at the tender age of nine. It was a Univex twin lens camera, a gift that would shape my future and ignite a lifelong passion. As I peered through the waist-level finder, the world appeared in a mesmerizing, albeit reversed, form. Despite the initial confusion, my young mind quickly adapted, learning that left was right and right was left. This camera accompanied me on a memorable vacation to Alaska, where I shot 620 films, preserving the moments in both negatives and photos that I still cherish today.

Fast forward to when I'm 16. I find myself in the front row at concerts like Traffic, Humble Pie, David Bowie, Led Zeppelin, Queen, and all the classic bands of the '70s. My three friends and I went to see bands at least once or twice a month. I was first published in Rolling Stone, Musician, Guitar Player, and other notable publications. In later years, we published a blog about the shows we saw, and I also have images on my website. I'm currently writing a book about my experiences and the pictures from this period.

My love affair with cameras and photography blossomed when I turned 18 and embarked on a journey at the local camera store. Over the next two decades, I became intimately familiar with the classic cameras of the 1970s and '80s, including the iconic Canon AE-1, Nikon F, Minolta SRT, Pentax Spotmatic, and Topcon Super D. I could recognize these cameras from their outlines alone, a testament to the depth of my knowledge and passion. During this time, I began amassing a collection of all things photographic, but my heart truly belongs to cameras and the lenses that accompany them.

I've had a great career in the photo industry, which has led in many different directions. My various positions included Professional Photo Lab Manager, PrePress and high-end scanner salesman, Representative for Sinar and Broncolor, and Leaf Digital back representative, as well as Profoto Representative for the US West Coast for almost 15 years. I concluded my career as Vice President of Sales and Marketing for two prominent lighting companies from Switzerland, Elinchrom and Broncolor.

During these times, I've had the opportunity to travel. I always made time to seek out cameras or photo items in the towns I visited. I've also had the chance to meet and work with some fascinating photographers throughout my career, including Mary Ellen Mark, Jim Marshall, Dan Winters, Annie Leibovitz, and many others.

Currently, my camera collection consists of approximately 500-600 cameras. It includes many exotic and colorful Kodaks, such as the complete line of Beau Brownies, the very rare Super-Six Twenty, the 35mm Ektra model and lenses, and the string set models. I also have a few Leicas from the original A series, including the hockey stick models, as well as some of the newer digital models. I own everything, from subcompact models to many 8x10 cameras with exotic brass lenses.

I've devoured McKeown's camera guides and own most versions of the camera bible, going back to 1984. I own a collection of camera collecting books, numbering approximately 100, including books on camera manufacturing and photography. I collect cameras, but my photographic collection includes approximately 200 panoramic images, several hundred Daguerreotypes, Ambrotypes, original glass negatives, camera advertisements, figurines featuring cameras, and many other items. I started the Camera Collecting page on Facebook.

My journey with eBay began in its early days, around 1996. I was an early adopter, and when I officially joined in 1997, my seller number was 1034. Since then, I've been a dedicated seller on eBay under the name Clix. I've also established my own store, Cuny's Cameras and Photo, where I continue to share my passion for photography and camera collecting with a global audience. 

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