Nikon 200mm f/5.6 Medical Nikkor Lens

One of my Medical Nikkor lenses w/ AC power supply, close-up lenses, & cables

I am a lifelong Nikon fan and own a variety of Nikon cameras. I have very vivid memories of working in a camera store back in the mid to late 1970s, where I worked for almost 20 years. The Nikon 200mm Medical Nikkor was a lens I had only seen in catalogs and brochures. I'm sure I had seen the lens in showcases at conventions. 

 I don't know why I've liked this lens for so long. It has something to do with the lens being very specialized, its unique look, and the built-in ring flash around the lens. It also had to do with my love for macro photography and the idea that a lens like this would make it so much easier.

 It wasn't until very recently, while looking at items for sale at a local estate sale, that I had the opportunity to hold a Nikon 200mm Medical Nikkor and look at it closely. The estate sale was for a retired doctor who had two Nikon Medical Nikkors, along with a variety of other medical and photography equipment. The lenses were complete with the power supply, close-up lenses, and connecting cables. One of the kits had an AC power supply, and the other had a DC power supply.

My Nikon 200mm F/5.6 Medical Nikkor lens.

 The asking price seemed high, so I walked away from the sale, knowing that the prices would decrease in the days that followed. I crossed my fingers and hoped that when I came back on the final day of the sale, the lenses (and several other items) would still be there.

 When I went back on the final day of the sale, both lenses were still there, but the pricing was still too high. Talking to the owner of the estate sale, he mentioned that on Tuesday, after the sale ends, if these items are still there, he'd consider offers.  I contacted him on Monday. He said there were some items still available and that if I wanted to meet him on Tuesday morning, he'd listen to offers.

 When I arrived at the sale on Tuesday, not only were the two Medical Nikkors still there, but several other items I was interested in were as well. I made a bundle deal and gave him a price for all, which he accepted.

 Once I got the lenses home, I started to piece the items together. I plugged them into the AC power supply and found that both lenses were in good working condition. The modeling lights work, and both lenses flashed as they should. The only negative thing I found was that one of the connecting cables from the power supply to the lens was missing. Also, the DC power supply takes four "D" size batteries, which is not an issue, but it also takes an older 240V photo battery, which are no longer available from my searches. The "D" size batteries power the focusing lights, and the 240V powers the flash.

Using the Lens:

 When you first look at the lens, it can be confusing, so let me give you some basics about the Nikon 200mm Medical Nikkor lens. There is no focusing ring on the lens itself. Instead, the lens uses a series of six close-up lenses that screw into the 38mm filter ring on the front of the lens. These close-up lenses are 2x, 1x, 1/2x, 1/4x, 1/6x, and 1/8x. These close-up lenses are threaded on both sides, allowing them to be stacked for a closer view of your subject. The only one not double-threaded is the 2x. The combination of the close-up lenses along with the master lens allows the lens to have a wide range of ratios, from 1/15 to 3x.

Here's a table in the instruction manual showing when to use the specific close-up lenses, how far away you are from the subject, and how big the subject is in inches.

One of the unique features of the Nikon 200 mm Medical Nikkor lens is the built-in ring flash, which consists of two flash tubes. This ring flash provides even and shadowless lighting, making it ideal for macro photography. Additionally, there is a series of four small lights around the lens that can be turned on to aid focusing. These lights are beneficial when you're getting close to the subject, as they illuminate it and make it easier to find the proper focus point. The focusing lights are user-replaceable by unthreading the front of the lens, which exposes the focusing lamps.

Just below the removable top, which exposes the focusing lamps, is a knurled ring that has the PC connector, which connects the PC cable from the camera to the lens. Next to that is the socket where the connecting cable from the power supply fits. There is a grey cover on both lenses that keeps the connector from getting dirty. Next to the socket is a small window with the ready light, which indicates that the flash is fully charged and ready to fire. And last but not least, on the other side of the PC connector is a small, great button that you press in to turn on the focus lights. These are something I use often, especially when close to the subject.

Since the Nikon 200 mm Medical Nikkor lens does not have a focusing ring, achieving the correct focus point on your subject requires physical movement of the lens. The built-in focusing lights are a tremendous help in this process, especially when working in darker areas. Without these lights, achieving a sharp focus would be challenging. To use the lens, you need to physically move the lens in and out to find the proper focus point on your subject. Being able to light your subject with the focusing light is a tremendous help. Without the focusing light, it would be challenging to achieve a sharp focus, especially in darker areas, which is often the case when using this lens. Let me walk you through the process of using the lens: [detailed steps].

 The Nikon 200 mm Medical Nikkor lens offers a unique feature that allows you to imprint a number on your image. This imprint can be for a case number, date, frame number, etc. The lens has a thin ring with the letters A, B, C, and D, which is used to intensify the number imprinted on your frame. Just below the ABCD ring is the number being put onto your frame. The numbers range from 1 to 39 in white, and 3 to 1/15 in yellow for the ratio used, if that's what you choose to have imprinted. This feature can be particularly useful for organizing and categorizing your images, adding a unique touch to your photography.

Ring for setting imprint number or fraction, and brightness (A,B,C,D)

The next two rings on the lens are for exposure settings, and it actually works very well. Both of these rings have locking screws to hold the settings in place. The ring closest to the camera body and farthest down on the lens is the film speed, or the film's light sensitivity (ISO), you are using in the camera. There are two lines: one is red for color film, and the other is white for black-and-white film. The difference between the red and white lines is one F-stop. I use the red line for my camera.

 The next ring above the film speed is the aperture setting. Below the aperture setting is a guide that corresponds to the close-up lenses used. Match the close-up lenses you put on the front of the master lens to the proper aperture needed for a properly exposed image. You can lock down that setting too, so it doesn't get changed during focus. As you change magnification, you'll need to adjust the lens's aperture setting. This system works great, and the exposure is accurate. You can also lighten or darken as needed by just changing the aperture up or down, depending on your preference.

Aperture and Exposure settings dials

The wonderful thing about this lens is that it works with new and old camera bodies. The lens mount is a very generic Nikon mount with automatic aperture control. To use and test the lens, I put it on my Nikon D850, set the camera to manual mode, and set the ISO to 100; it worked great.

 While doing an initial test on the lens, I took 7-8 images, then I heard a small pop and the flash stopped working. Having worked in the photo industry, and more specifically working with commercial flash, that wasn't a good sound. I took the top off the power supply after unplugging it and found that one of the small capacitors had blown. I looked online and found one that appeared to have the same electrical needs, so I ordered it. Once it arrived, I replaced the capacitor and soldered it in. Put the top back on, and the power supply started to work again.

Before the capacitor blew, I tested the lens and took images with a camera I recently wrote about on my camera-collecting blog. The one thing that struck me was the ring flash's appearance. I've always enjoyed how the ring flash gives a halo effect around the subject, very similar to some of the fashion shoots in the 1980s and 90s, before it became unpopular.

 I also wanted to try the lens on a coin and possibly a few different objects to see how it performed on them. I didn't have a stamp to try the lens on, but I did have a few different coins.

 

Results:

 Here are some of the images I made with the Nikon 200mm f/5.6 Medical Nikkor lens. I attached the lens to my Nikon D850, set the camera to manual mode, and adjusted the shutter speed to 1/60 to ensure proper flash synchronization.

 I also tried to get a mix of hard and soft materials to shoot—hard shiny metals, plants, coins, etc. 

Conclusion:

 I don't understand why this lens isn't more popular for small products, like coins, given that it has a built-in focusing light, ring flash for very even illumination, and, as a telephoto, you're far away from the subject.

 The lens produced clean, sharp images; the ring light did a fantastic job on the coins; and the pictures of the plants were perfect, all for being hand-held images. I also like the product shots; the built-in ring flash gives the photos a different look than most of the younger generation people aren't used to.

Nikon 28Ti Camera

In this week's blog post, I'm writing about a camera I've had in my collection for a few years now and one that I've always wanted to own, ever since I laid eyes on it when the camera was introduced in 1994. The 28Ti  is the younger brother to the popular 35Ti camera, which came out a short time before the 28Ti and was similar to the Minolta TC-1, Contax T cameras, and a range of other well built "point & shoot" style cameras that targeted the more affluent and travel market.

My Nikon 28Ti, camera case, and interested photographer.

My Nikon 28Ti, camera case, and interested photographer.

The Company

Nikon started producing optical instruments such as microscopes and rangefinders in 1917 in Tokyo, Japan. During the early days, Japan had urgent needs for these types of optics. The person responsible for doing this was Koyata Iwasaki, the president of  Mitsubishi and the nephew of Mitsubishi founder Yataro Iwasaki.

 Plans started with establishing an optics company by combining the optical instruments division of Tokyo Keiki company and the mirror division of Iwaki Glass with Fujii Lens Manufacturing. This combination of companies started Nippon Kogaku K.K. which is, the Nikon we know today.

In 1921, photographic optics were becoming more refined. Nikon invited 8 German engineers to Japan to help Japan catch up with the development and design of photo optics. They created the Anytar lenses after the Tessar design. Buy 1931, Nikon lens designs were no longer in the Tessar design and optical quality shadow.

Nikkor lenses started in 1933 with the Aero-Nikkor 50cm f4.8 lens used for ariel mapping purposes. They also created a 70cm F5 and a 180cm F4.5 lens which is very difficult to find today.

 After WWII, Nikon started making 35mm cameras. The first camera, the Model 1, was introduced in March 1948 and was heavily advertised. Production couldn't keep up with the demand for domestic cameras of the time. There were many complaints about the design. In 1949, they had worked out many of the problems when the Model M was introduced.

 In 1950, the introduction of the Nikon S line and later the SP, along with a strong line of high-quality lenses, put Nikon on the radar for many newspapers and professionals photographers and made them the camera system they are now known.

My Camera

The Nikon 28Ti is a very sturdy camera with an all-black finish, which is more pleasing than the two-toned 35Ti camera. That's just a personal opinion for me. The feature that draws me to this camera is the analog dials on the top of the camera, which contrasts with the black camera body. The dials indicate things like aperture settings, focus distance to the subject, frame counter, and over/under exposure compensation. All of these are done with the precision of a fine Swiss watch and resembles one as well.

The size of the camera is approximately 4.5″ wide, 2.5″ tall, and 1.4″ deep and weighs in at 11.2 oz. The camera body is a titanium body with a retractable 28mm f2.8 lens, from what I can tell. According to technical specification, the lens is a Nikkor 28mm F2.8; multi-coated seven elements in 5 groups, with integrated coatings and extra-low dispersion elements. The camera's autofocus has 541 steps in a range which is slightly less than the 833 in the 35Ti. 

 The electromagnetic shutter has speeds range from 2 sec. to 1/500 in "P" mode (Program) or up to 1/330 in "A" mode for Aperture Preferred. There is also an "LT" mode similar to "B" and has a maximum time of 10 minutes.

 There is a "panoramic" mode that blades off the shutter area to achieve a panoramic photo on the negatives, popular in the 1990s. There is also the ability to over or underexpose images by up to 2 stops. The camera also features a Date feature on the camera, but I've yet figured out how to set them as the buttons to do so on the camera's back are very small and difficult to push.

Looking on top of the camera are the elegant dials which I enjoy, and when you press, items like +/- can be manipulated by the scroll wheel on the back right of the camera when the film advance would be on an SLR camera. Around the shutter release is the camera mode switch. Pressing the AF button on top and turning the scroll wheel allows you to focus manually. The Lamp button turns on the lamp on the dial display and lights up the viewfinder lines for the image area.

Top view of the Nikon 28Ti camera with the controls

Top view of the Nikon 28Ti camera with the controls

There is an "H" displayed in the viewfinder when the lighting is too bright and "L" when the lighting is too low for properly exposed images.

 On the right side of the camera is the dial that opens the back of the camera. The camera sets ISO with the DX coding. If no DX film is used, then the ISO is set to 100. The camera has auto wind and auto re-wind. There is a button on the baseplate that allows for re-wind the film mid-roll if needed.

 On the front of the camera is the flash control. You have flash on, Autoflash, No flash, and on the side of the camera by the flash control is a switch to set red-eye reduction. The lens automatically comes out when powered up and retracts when turned off. 

To me, the quality of the optics is what I enjoy. Some people prefer the less wide 35mm, but not me. Here are some images from a walk at my local dog park I did this week.

Images from the Nikon 28Ti Camera

Winston, a friends Korgi

Winston, a friends Korgi

Giving a friem=nd a drink of water

Giving a friem=nd a drink of water

Electrical tower in dog park

Electrical tower in dog park

Regular view

Regular view

Panoramic view

Panoramic view

Self Portrait.

Self Portrait.

Thank you for taking a few minutes out of your busy schedules to read about one of the cameras I need to take out and use more often—another fantastic camera in the collection. Until my next post in a couple of weeks, please be well.