No. 4A Speed Kodak Camera

My No. 4A Speed Kodak camera

The No. 4A Speed Kodak camera is a massive camera. It's one of the largest folding-style cameras in my collection. I recently acquired this camera as a trade during a camera show in Seattle, where I was a vendor. 

 The person I acquired the camera from has a very similar collection to mine. During our discussion, he mentioned that he had two No. 4A Speed Kodak cameras. On display at the show was a large and heavy Japanese machine gun camera. I owned the camera for many years, but I didn't want to transport it back to my home, so I asked if he was interested in trading one of his No. 4A cameras for my Japanese machine gun camera. I was very excited when the discussion of trading one camera for the number four speed Kodak became official.

 This is the second No. 4A Speed Kodak camera I've had the pleasure of owning. The first number for a Kodak camera that I purchased was from a customer in Atlanta, Georgia. During a visit to an antique store, I mentioned that I collect cameras. The owner of the shop told me that they were the trustees of an estate that owned many cameras and were getting ready to sell them. I asked if I could see their collection, and they said yes. 

 Unfortunately, I only had about 30 minutes to rummage through what they had, as I had a sales appointment with a customer and didn't want to be late. While rummaging through the cameras I had set aside, I came across 15 to 20 items I wanted to purchase from the estate, including a No. 4A Speed Kodak camera. The camera was in my collection for several years until one day I decided to sell it. 

After selling the No. 4A Speed Kodak, I regretted selling it due to how rare they are and how seldom you see them for sale. It's a camera that I've been looking to purchase again for many years.  I was thrilled to find one and strike a deal for it while I was a vendor at the Camera show in Seattle.

 History:

From Kodak 1912 Sales Catalog.

 George Eastman, a self-taught chemist and businessman, revolutionized the world of photography with the founding of the Eastman Kodak Company. Born in 1854, Eastman's early life was marked by financial hardship, forcing him to leave school at 14 to support his family. His foray into photography began in the late 1870s, a time when the process was cumbersome and expensive, requiring heavy equipment and on-the-spot chemical processing. Eastman envisioned a more straightforward, more accessible method for capturing images.

Advertisement for Speed Kodak cameras.

 After years of experimenting in his mother's kitchen, Eastman developed a successful dry-plate formula and a machine for mass-producing them. This innovation led to the establishment of the Eastman Dry Plate Company in 1881. A pivotal moment came in 1888 with the introduction of the first Kodak camera. It was a small, user-friendly box camera that came pre-loaded with a roll of film capable of 100 exposures. The company's slogan, "You press the button, we do the rest," perfectly encapsulated its business model. Once the roll was finished, the entire camera was sent back to the factory in Rochester, New York, where the film was developed and printed, and a new roll of film was inserted before being returned to the customer.

 The turn of the century saw another groundbreaking innovation with the release of the Kodak Brownie camera in 1900. Priced at just one dollar, the Brownie was marketed towards children but was embraced by all. This affordable and easy-to-use camera democratized photography, turning it from a professional trade into a popular hobby. For the first time, ordinary people could create their own visual records of their lives, leading to the advent of the "snapshot."

 For much of the 20th century, Kodak dominated the photography industry, pioneering advancements in color film and motion picture technology. However, the company's reliance on its highly profitable film business model proved to be its undoing. Despite inventing the first digital camera in 1975, Kodak was slow to embrace the new technology, fearing it would cannibalize its film sales. This hesitation allowed competitors to seize the digital market. By the time Kodak fully committed to digital, it was too late. The company filed for bankruptcy in 2012, a poignant end for a company that had once put a camera in everyone's hands.

My Camera:

As I mentioned in the first line of this blog, the No. 4A Speed Kodak is a behemoth of a camera, which has a beautiful red bellows, measuring 11.75" tall, by 6.5" wide, and 3.5" deep when the camera is closed. When the camera is opened, the lens extended, the camera is 12" deep. My camera weighs in at 5 lbs. 11.5 ounces. The camera first appeared in the Kodak sales catalogue in 1908 and remained there until 1912.

The serial number of my camera is 519-D, which you can find on the back side of the "Kodak" leg used to support the camera when opened. My No. 4A Speed Kodak camera has a batch ID number of 747, which is found on the inside of the back door, along with a matching number on the film "wings" used when loading film. 

 The negative size of the No. 4A Speed Kodak is a whopping 4 1/4" x 6 1/2" on 126-sized roll film. Not to be confused with the 126 cartridge film from the 1960s. Please note the size of the film spool for the No. 4A speed Kodak compared to a spool from a 120 size film.

The unique feature of the No. 4A Speed Kodak is its built-in Focal Plane shutter system. This shutter allows the camera to shoot from speeds of 1/5 on the slow end to a top-end shutter speed of 1/1000. The camera could also do timed exposures if necessary. The focal plane shutter is set by a series of tension wheels and settings done on the top of the camera. To achieve the desired shutter speed, the tensions and sliders are adjusted according to the graph displayed on top of the camera.

 To open the camera and take a photo, as with many other Kodaks, a button on the side unlocks the folding bed. Once the bed is opened and in the locked position, the lens can be slid out onto the bed by pinching the two grips just under the lens and sliding it into the "taking" position. There is a fine focus adjustment on the folding bed, allowing you to focus on your subject. 

 Similar to other folding cameras, a waist-level finder is located to the top right of the lens and covered by a chrome cover to prevent dirt from hindering your ability to frame your subject. This waist-level finder can be used for vertical or swung sideways for horizontal images. There is a secondary finder on top of the camera that flips up, and according to the catalog, this is an extra called the Direct Viewfinder.  

 To close the camera, use the two grips to slide the lens back into the camera body. Once you're all the way in, press down on the arms that lock the camera erect. They will unlock, allowing you to fold the bed back into the camera's body and lock it back in place.

To open the back of the camera and load the film, use the two buttons located on each side of the camera body near the back. Press both buttons, and the back will come off the camera. Sometimes you'll need to pull the back away from the body to remove it if it doesn't spring open. The sides of the camera will also swing open, making it easier to insert or remove the roll. You'll also need to unhook the side strap before taking the back off. Unfortunately, my No. 4A Speed Kodak is missing the strap, but this procedure is similar to how the Kodak Panoram cameras open and close.

 Once the film is loaded in the camera, slide the bottom of the back into the slot and press it into position, ensuring the side wings are closed. The back will then snap and lock into place.

Conclusion:

 The focal plane shutter on my camera is not operable, and the shutter curtains are very brittle. After a bit of coaxing and taking the time to work with it, I managed to get one of the shutter curtains to close, but you can see how brittle it is from the photos.

 Also, on my No. 4A Speed Kodak, the red bellows have separated from the black fabric on the inside of the bellows on the right side of the camera. That's why the bellows seem so wonky on that side. Still, having one of these cameras for display purposes is a wonderful thing, and I'm pleased to have this 110-year-old camera back in my collection.

 Thank you for taking the time to look over and read about this fascinating camera from Kodak's past.

 Click the link to see other Camera Reviews.

 Visit Cuny's Camera and Photos on my eBay store to see cameras and other photo odds and ends I have for sale. At times, I even sell cameras from my reviews.

 Until next week, please be safe.

 

No. 0 Graphic Camera

In my opinion, the No. 0 Graphic camera is one of the real sexy models made. It's a small yet sophisticated, high-quality design and somewhat technical that it advanced camera manufacturing forward. The camera is a fixed focus camera made by Folmer & Schwing, a division of Eastman Kodak at the time, manufactured between 1909 and 1926.

Graphic No.0 Camera & Case

Graphic No.0 Camera & Case

The Company

Folmer & Schwing, Mfg. Co. first started as a gas lamp manufacturing company. The company was started in 1887 by William F. Folmer and William E. Schwing. When the decline of gas lamp sales occurred in the 1890s, Folmer & Schwing moved into Bicycle and camera manufacturing. Their cameras first appeared in their 1896 catalog and their first Graphic camera in 1898, which you can see here. Mr. Folmer also introduced the photographic world to the very well-known Graflex cameras in 1898, known as the Graflex Reflex camera, a single lens and moving mirror (SLR). Looking at some of their later catalogs, it's interesting that there were so many bicycle-related cases, etc. You can see the No. 0 Graphic advertised here.

In 1905, Eastman Kodak purchased  Folmer & Schwing Mfg. Co., and up until 1926, they were a division of Eastman Kodak. In 1926 the U.S. government forced Kodak to divest its professional division due to the Sherman Anti Trust Act. With no one buying Folmer & Schwing, they became Graflex Inc., which was an independently owned company up until 1958. After 1958, the company had a few other owners and was officially closed in 1973.

Top view of No. 0 Graphic camera

The Camera

Looking at the No. 0 Graphic, I like the intricacy of the top of the camera and the rest of the camera's simplicity. Looking at photos of the camera, I thought the camera would be larger than it is. The camera measures 5 1/4" wide by 3 3/4" tall, including the viewfinder, by 3 1/2" deep, and weighs 1 lb. 10.6 oz. without film. To open the lens, or I guess I should say to open the door to expose the lens as the lens is fixed focus, you press the thumb knob on the camera body's upper left as you face the lens. By pressing the knob back, the door to the lens opens. To close it. Press the button to the left of the lens, and the door closes. The camera has a Zeiss Kodak anastigmat lens, f6.3.

The camera uses a cloth focal-plane shutter system with shutter apertures (distances between shutter curtains) of 1/4, 3/4, and 1 1/2 inches. There is a tension regulator on the top of the camera that regulates the shutter speed and the shutter aperture used. There is a graph on the top of the camera showing what shutter speed the camera will fire at depending on the tension and shutter aperture used. Looking at the chart on the top of the No. 0 Graphic, the shutter speeds range from 1/10 to 1/500. Also on the top of the camera is the aperture setting, which varies from f6.3-f32. You move the pointer wheel to the desired setting.

The No. 0 Graphic takes six 1 5/8 x 2 1/2 inches on No. 0 F.P. Kodak roll film. Later the film was called Kodak 121 film, which you would load just like any roll film camera with the take-up spool on the right-hand side. To open the camera's back is simple, pinch the top and bottom springs and pull the camera back off. This method is similar to many of the Kodak Autographic cameras of this era.

 The camera also incorporates an exciting viewfinder system, which allows for discreet photo taking. There is a mirror in the viewfinder which can be placed in either a 45-degree or 90-degree position. The 45-degree position enables the photographer to view from a 90-degree position from your subject. What they call it deceptive angles camera. You can also open the mirror to 90 degrees making the mirror even with the viewing plane to point it forward towards the subject. In the manual, which you can see here.

The camera I own still has the camera strap on the side and the fitted camera case. While the No.0 Graphic I have is missing the leather on the lens door, it's something I overlook as I generally display it with the door open. My camera is serial number 26602, embossed on the camera's bottom, just behind the tripod socket.

No. 0 Graphic camera in the fitted case.

No. 0 Graphic camera in the fitted case.

Conclusion

The No. 0 Graphic is a prized camera in my collection, especially with how complete the camera is. The shutter is a bit slow, and since 121 film is no longer available, I might want to see if possibly something like 127 size film might work. The camera is small, and I love the quality they put into the design and display on the camera's top.

 Thank you for taking some time from your busy schedules to look over this post, and I always love to hear from you. If you have any questions, comments, or concerns about this or any of the other cameras I've written about, please drop me a line.

 Until next week, please be safe.