Voigtlander Prominent 35mm

My father-in laws Voigtlander Prominent

I'm unsure if I'll be able to get another posting out before the beginning of 2026, since Christmas and New Year's fall on the day I generally publish my reviews. Since this might be the final post for 2025, I wanted to make it a special review. 

 Special in the sense that, while the Voigtländer Prominent is an outstanding camera, what makes this camera especially special to me is that my father-in-law owned it, so it holds an even greater, much more cherished place in my collection.

 Let me tell you a bit about my father-in-law. He was the oldest of seven children living in a very small town named Sugar Creek, MO, just outside Independence. They were not a wealthy family, as the father worked at the local refinery. I was told that the house was so small that some of the children had to sleep in closets. At 18, he married my mother-in-law, who was only 17 at the time. By the time he was 22 and my mother-in-law was 21, they had three children.

 Soon after they were married, he joined the Army, where they were stationed in Augusta, GA, where my wife and the third child were born.  When my wife was only 6 months old, my father-in-law and the family were transferred to Naples, Italy. With his wife and three young children, my wife moved to Italy.

My father-in-law always had a passion for photography and, from what I'm told, purchased the Voigtländer Prominent while stationed overseas. After their time in Italy,  the family moved back to the USA. At this point, my father-in-law found a local camera store back near Kansas City, where he honed his photographic skills using the Voigtländer Prominent he purchased overseas.

Voigtlander logo and Prominent name on top of the camera.

 After the camera store, he was hired by Procter & Gamble to sell Duncan Hines cake mixes. He climbed the corporate ladder, moving his family with each promotion due to his outstanding managerial and sales skills. All the while, he still had a passion for photography. He was always taking photos of the family and eventually ended his career as a top executive at some of the largest Fortune 500 companies.

 This article is not only about a truly amazing camera, but also an ode to my father-in-law. Someone I looked up to in my career helped me in so many ways and was a warm, loving, generous, and caring individual. He passed away way too early from an auto accident, almost 30 years ago. We still have his Voigtländer Prominent, which he used, and it's in remarkable condition. For the final post, I wanted to write about this truly excellent camera, which means so much to all the family members.

 I've had the opportunity to purchase other Voigtländer prominent cameras, both the original and the Prominent II, with the standard Ultron and Heliar lenses, along with many different lenses and accessories for their cameras. Still, the camera from my father-in-law is off-limits. It will stay in my collection until I'm no longer around.

 I've reviewed other Voigtländer cameras, so I've written about their history in the past. Let me focus on the history of Voigtländer in a specific timeframe: after World War II, when they rebuilt a fantastic camera brand.

Voigtlander Post World War II:

 Voigtländer emerged from the Second World War with its Braunschweig factory largely intact and quickly resumed work under British military oversight, initially dedicating much of its output to Allied reparations until the new West German currency was introduced in 1949. This relatively undamaged industrial base, combined with a strong pre‑war optical tradition, allowed the firm to re‑establish itself rapidly as a key player in the post‑war German camera industry.​

 In the immediate post‑war years, Voigtländer revived and modernized pre‑war designs, adding new anti‑reflection coatings to lenses and continuing large‑format and medium‑format lens production. The company remained under the ownership of the chemicals and photographic‑paper firm Schering AG, which had acquired it in the 1920s, providing financial stability in a challenging economic climate.​

From Voigtlander Catalog Credit: Pacific Rim Camera

 The 1950s became Voigtländer's golden decade, marked by a broad range of high‑quality cameras and lenses that cemented its international reputation. Compact 35mm lines such as the Vito and the more sophisticated Vitessa appeared alongside the professional Prominent 35mm rangefinder. At the same time, optics like the Ultron, Nokton, Apo‑Lanthar, and Heliar established the brand as a leader in lens design. In 1952, Voigtländer introduced the Apo‑Lanthar 105 mm f/4.5, and in 1959, it launched the 36–82 mm f/2.8 Zoomar, one of the first interchangeable zoom lenses for 35mm still photography.​

 In 1956, Schering sold Voigtländer to the Carl Zeiss Foundation, bringing it into the same corporate orbit as Zeiss Ikon while initially keeping manufacturing and sales structures separate. Throughout the late 1950s and early 1960s, Voigtländer expanded into leaf‑shutter SLRs and advanced models such as the Bessamatic and Ultramatic, but the cameras were complex and costly to build. As Japanese manufacturers increased efficiency and undercut prices, Voigtländer's high production costs and conservative designs became major competitive disadvantages.​

 In 1965, Zeiss‑Ikon and Voigtländer's sales operations were combined, but falling sales led to the decision to cease camera production and close the Braunschweig factory on 4 August 1971, affecting over 2,000 employees. The physical works were reorganized as Optische Werke Voigtländer, with shared ownership between Zeiss, Rollei, and the state of Lower Saxony. By 1974, Rollei had taken complete control, continuing to produce lenses and cameras under the Voigtländer brand until its own financial collapse in the early 1980s.

 The trademark then passed through German photo retailers and, from 1999, has been licensed to Cosina in Japan, which uses the historic name on modern manual‑focus lenses and niche film cameras, giving Voigtländer a new life in the era of digital photography.

My Camera:

 My Voigtländer Prominent comes with the standard Ultron 50mm f/2.0 lens. The camera body serial # B 46551, and lens serial # 3782651. With this camera, there is a Voigtländer UV filter that I generally leave on the camera, along with a yellow filter for black-and-white photography, a rectangular metal lens hood, and the fitted brown camera case. The camera is 5.5" wide by 3.5" tall by 3.5" deep, and weighs 2 pounds, 0.8 ounces without film.

 The Voigtländer Prominent has some weight to it, and for me, it feels very comfortable in my hands. Maybe because it resembles an SLR more, like what most people are used to with rangefinder cameras. The camera has a somewhat peculiar layout and is something you'll need to get used to.

When you put the camera to your eye, the viewfinder is on the right side of the camera, which, for many, is different. The majority of cameras have the viewfinder either centered or more to the left than to the right. The focusing ring isn't on the lens, but located on the rewind knob. As you turn the outside of the rewind knob, generally used to rewind the film in the film cassette when you're done with the roll, on the Voigtländer Prominent, it focuses the lens. 

Looking through the viewfinder, the rangefinder is bright, with the yellowed area in the center clearly visible. With your left hand, turn the outer ring of the rewind knob to focus on your subject. Once the image is in focus, take your photo. Under the focus distance is the camera's depth of field guide for the aperture used. 

To take a photo, on the right-hand side of the camera is the film advance lever; wind it clockwise to advance the film. The same motion that advances the film also moves an internal bar that cocks the shutter. The shutter speed dial on the Syncro-Compur shutter is set by turning a ring just in front of the shutter cocking lever. The shutter speeds on this camera go from 1/500 to 1 sec, with "B" for timed exposures. According to the Voigtländer Prominent camera manual, it's best to set the 1/500 shutter speed before winding the camera, which cocks the shutter. You can set any shutter speed once the camera's shutter is cocked, but 1/500's not recommended.

If you want to use the camera's self-timer, it can be manually set by pulling down on the shutter's cocking lever once the camera is cocked. This sets the camera's self-timer to approximately 10 seconds when the shutter release is depressed. The camera's shutter release is the larger button on the top of the camera, just to the left of the film transport knob. Behind the shutter release is the cable release socket for timed exposures.

Top view of Voigtlander Prominent camera

Looking at the lens, the aperture is set by turning the aperture ring in the direction that produces a properly exposed image. On the Ultron 50mm lens, the aperture goes from F/2.0 to F/16. To remove the lens from the body, on the bottom of the lens is a large button you press in; interestingly, you can remove the lens by turning it left or right. Likewise, to put the lens onto the camera body, make sure the large button is on the bottom. You can mount the lens either to the right or left as long as the button end is on the bottom.

 Since the camera utilizes a leaf-style shutter as opposed to the standard focal plane shutter, the flash will sync at any shutter speed, which allows the photographer the ability to control the ambient light with flash much better, and this makes film cameras such as Hasselblad and Rolleiflex cameras ideal for weddings, portraiture, and commercial studio work. On the front of the camera, at the 11:00 position, is the PC sync for flash, along with the flash settings: "X" for electronic flash or "M" for flash bulbs.

To load film into the Voigtländer Prominent camera, on the left side of the camera are two buttons you press to open the camera's back door. Once open, you load the 35mm film just as you would any other 35mm camera. Push up the rewind shaft, drop in the 35mm cassette, and bring the leader over to the camera's take-up spool. Thread the leader into the take-up spool slot and wind the film advance. Make sure the film's sprocket holes are in the drive gears and take up the slack. Before closing the back of the film door, I like to turn the rewind knob to take up the slack in the film cassette, so when I close the back and wind to the first frame, I watch the rewind knob turn to make sure the film is actually moving within the camera.

 Once you close the back door, the frame counter needs to be set manually. To do this, lift up on the winding knob, then turn the camera's frame counter to "F" to give you a couple of turns on the film advance until you get to frame number 1.

When you're done with the roll of film, you'll need to rewind it into the film cassette. The rewind knob has an arrow pointing outward. Push the button outwards, and the rewind handle will pop up. Just below the cable release socket is a small button labeled "R". Press the "R" button to disengage the transport gear, then turn the rewind knob clockwise to rewind the film into the film cassette. Once the film is rewound, open the camera back, process the film, and reload the camera with more film. 

 

My Results:

 I loaded the Voigtländer Prominent with a roll of 200-speed film and took one of our dogs to the local dog park to get the pooch some exercise, taking photos of a different area than walking through the neighborhood as I usually do.

 Here are some photos from the local dog park and the shadows on my back patio on a beautifully sunny day in the Portland Area in December. It wasn't a typical December day in this area, so I wanted to make the most of it.

Conclusion:

 I really love this camera. The images are incredibly sharp, and this camera gives Leica and Contax a run for their money. It's exceptionally well-built, the lenses are tremendous, and I like the camera's size and weight.

 The system's weakest link is its lack of lenses, and for many, the camera's focus is a drawback. I've read that people don't like having the viewfinder on the right side, which makes it more challenging for them to use the camera. I don't find it annoying, as others do.

 Here's a link to my other Camera Reviews.

 If you're looking for a camera, lens, or other photo oddity, please stop by my eBay store, Cuny's Cameras and Photo. If there's something that interests you, mention my blog, and I'll offer you a discount.

 Thank you for taking a few minutes from your day to read about this excellent camera with extremely sharp lenses. If I don't post another review before the end of the year, please have a Happy Holiday and a fabulous New Year.

 Until next time, please be safe.

Hasselblad X-Pan

My Hasselblad X-Pan w/finder

Throughout my photographic career, my passion for panoramic images and cameras, as well as daguerreotypes, has consumed a significant part of my interest in collecting photographic items, including those with unusual or colored features. I recall the timeline when I first acquired specific working models of panoramic cameras.

 In my early days of collecting, I recall purchasing my first panoramic camera, a Russian-made 35mm Horizont camera. That camera helped spark the purchase and use of more panoramic cameras. When I bought a Kodak Panoram 1, I just put it on my shelf. When I found out that 120 film fit into the Kodak Panoram, Model 1 camera, I almost jumped for joy, because I could use it, rather than look and admire it.

 Wanting to add to the panoramic camera family, the elusive Widelux F7 was still years away, as I had a young family and was careful about the types of cameras I purchased to grow my collection. During this time, I came across a few Multiscope Al-Vista cameras, particularly the Baby, because, like the Kodak Panoram 1, the Baby Al-Vista also uses 120 film.

 As time went on, and the kids grew, and I advanced in my career, more funds became available to acquire the more exotic items that were previously out of reach financially when I was younger. A coworker had a friend who was selling an early Panon 120 panoramic camera for a very reasonable price, which I purchased and took with me to Peru’s Machu Picchu when my wife and I took a trip there.

 It was a decade ago when I finally had the chance to acquire a Widelux F7 model at an excellent price. Despite its cosmetic condition, I was determined to bring it back to life. After a visit to Precision Camera Works in Texas, the camera was given a new lease on life. Today, it's one of the most frequently used cameras in my collection, and the one that has captured many of the images in my panoramic section on my website.

My Hasselblad X-Pan w/30mm lens, finder, center filter, 3D printed lens hood and cap.

 The Hasselblad X-Pan was a camera I recall from its introduction to the market in 1998. Like several cameras from Hasselblad during those years, it was a collaboration with Fujifilm in Japan. Hasselblad sold the X-Pan worldwide, except in Japan. In Japan, Fujifilm had the TX-1, which was the same camera, just a different name and model number.

 It wasn't until about five years ago that I had the opportunity to purchase the X-Pan I currently have and am writing about in this post. The Hasselblad X-Pan is a significant addition to my collection, not only because of its unique features but also because of its history and the challenges I faced in acquiring it. I found it on an online auction, but the camera didn't have the standard lens; it only had a 30mm lens. No finder, and the top of the camera was missing the small plastic piece in front of the flash shoe. The camera was used very well, but its working condition was unknown.

 Examining other items being sold in the auction, I discovered a group of items that included the 30mm finder for the X-Pan. I notified the auction house that the finder from this lot should go with the camera from a different lot. They placed the finder in the lot with the X-Pan, which made the items more desirable, especially to me. 

 When it came time for the lot to be sold, I was surprised at the price it sold for, and fortunately for me, I was the high bidder. The price wasn't cheap, but for the items sold, it was a great deal. One of my first reactions was, Is the camera in working condition? I paid the shipping fees, and I just crossed my fingers that the camera wasn't a total wreck, but rather a pile of parts I needed to pay to get repaired. The anticipation and uncertainty of this process added to the thrill of acquiring this unique piece for my collection.

 Once the camera arrived, the first thing I noticed was its physical condition. There were many scratches on the body, and the item missing from the top, near the flash shoe, gave the camera a very "combat" look. The great news was that the center filter was there, which I hadn't noticed, and when I put batteries in the camera, it came to life. All the displays lit up, so I started to feel very good about the purchase.

 Once I put the finder on top of the camera, and it hid the missing piece by the flash shoe, I had a huge smile on my face. The next thing I needed to do was put a roll of film in the camera and try it out. After I did that and the film turned out well, I knew I had a keeper and one I needed to start adding to the rotation of shooting with, especially since it had the lens I desired, the 30mm wide-angle lens and finder.

History:

 The history of Hasselblad, the iconic Swedish camera manufacturer, is inextricably linked to the passion and ambition of its founder, Victor Hasselblad (1906–1978). Though the family business, F.W. Hasselblad & Co., began in 1841 as a trading company, it was Victor's innate interest in photography—fueled by a childhood passion for birdwatching—that transformed the firm into a global innovator. After training in the optics industry across Europe and the United States, even working under Kodak founder George Eastman, Victor opened his own shop, Victor Foto, in Gothenburg in 1937. 

 The pivotal moment for the company arrived during World War II. In 1940, the Swedish military tasked Victor with reverse-engineering and improving a German aerial surveillance camera that had been recovered. His reported reply—"No, but I can make a better one"—set the standard for the company's future. He founded Victor Hasselblad AB in 1941 to manufacture the HK-7 military camera, laying the groundwork for the company's subsequent civilian production.

After the war, Victor applied his modular military design to the consumer market, launching the Hasselblad 1600F in 1948. This medium-format, single-lens reflex (SLR) camera, with its distinctive modular design featuring interchangeable lenses, viewfinders, and film magazines, quickly became the gold standard for professional photographers worldwide, especially with the introduction of the robust 500 series in the 1950s.

 Hasselblad secured its legendary status through its partnership with NASA, which began in 1962. Astronaut Walter Schirra, an avid photographer, suggested using his personal Hasselblad 500C to document space missions. NASA modified the cameras to withstand the harsh conditions of space, and the Hasselblad became the camera system of choice for American spaceflight. The climax of this partnership occurred on July 20, 1969, when a Hasselblad Data Camera (HDC) captured the historic first steps on the Moon, solidifying the brand's legacy as a true pioneer in imaging technology.

My Camera:

 My Hasselblad X-Pan is 7" wide by 3.25" tall without the 30mm viewfinder and 5.5" tall with the viewfinder by 3.5" deep from the back of the camera to the front of the lens. The camera weighs 2 pounds, 9.6 ounces with the 30mm f/5.6 lens. The camera body serial number is 11EE13969, and the lens serial # is 8SXP13110. I purchased an aftermarket, 3D-printed lens hood and cap for the 30mm lens, which fits well. However, it is shifting on the lens and not staying in the proper position, so I may have to spring for an actual Hasselblad-made hood and cap.

The camera is powered by 2 CR2, 3V photo batteries, which, like many cameras, fit into the bottom of the camera. Most of the controls are located on the top of the camera. Going left to right is the camera's hot shoe for flash. That's something I don't use, except for sliding the 30mm viewfinder onto the hot shoe and then screwing it down to hold it in place.

 To the right of the hot shoe is the shutter speed dial, which ranges from 1/1000 to a full 8-second exposure, accompanied by a green "A" for Auto mode. In the case of the X-Pan, when the selector is set to the green "A" position, the camera is in "aperture preferred" metering, which means you select the desired aperture, and the camera will choose the appropriate shutter speed depending on the film's ISO and the lighting conditions. Even in "auto" mode, there are warning signals within the viewfinder that indicate if you are overexposed or using a shutter speed longer than 2 seconds.

If the camera is not in the "auto" exposure mode and you're selecting both the shutter speed and aperture, a series of lights and signals, indicated by +/-, appears within the viewfinder, showing what a properly exposed image will look like depending on the selected shutter speed and aperture.

 To the right of the shutter speed dial is the shutter release, marked in silver, and a small window behind the shutter release that displays "P" if you're in panoramic mode, as well as the frame number you're on. Further to the right is the main On/Off switch at the bottom, along with "S" for single frame, "C" for continuous shooting, and a clock face for self timer. Turn the On/Off switch to the desired mode, and the camera will be on. On top of the dial is exposure compensation, which allows for up to 2 stops of light lighter or darker than the recommended meter settings when in the "A" or auto mode. These are set in half-stop increments on the dial.

On the back of the camera, from left to right and top to bottom, is the camera's viewfinder, which incorporates a coupled rangefinder. My rangefinder is very bright, which makes the camera extremely easy to focus with. Just above the camera's viewfinder is the 30mm viewfinder. The viewfinder features several different frame lines, depending on the film format used, along with a bubble or spirit level at the bottom to check if your camera is level.

To the right of the camera's viewfinder is an essential switch. The X-Pan camera is compatible with the standard 24x35mm film format. Alternatively, by depressing the button and turning the dial to the "P" position, you can shoot in a panoramic format of 24 mm x 65 mm. On the back of the camera by the shutter, the camera will move blades in or out depending on the film format you're using. I've never really heard photographers using the X-Pan as a standard 35mm camera, only for panoramic purposes, but this can change at any time, and you can go back and forth on the same roll of film if desired.

On the back of the camera, on the back door, there are three settings. Ine is "AEB", or Auto Exposure Bracketing, which allows the photographer to automatically bracket either a half or full stop in between shots. The next button is used to light up the display, which is particularly useful at night or in dark situations. The third button is a very small, indented button that you use to rewind the film before reaching the end of the roll.

 On the front of the camera, in the 11 o'clock position, is a dial to set the film speed. The camera features fully integrated DX coding for modern film. However, if you're using a self-loaded cassette or older non-DX-coded cassettes, the ISO can be set manually. Below the dial is the lens release button, which allows the photographer to change lenses. Opposite the camera is the PC flash sync port, which enables flash use via a PC cable.

On the left side of the camera, the shutter remote cable socket is located at the top, and the camera's film door lock lever is positioned at the bottom. Flip the lever up, then slide it up to open the camera's film back and load the film.

 To load the film in the X-Pan, insert the film cassette into the film area, guide the leader to the take-up wheel, and then close the back of the camera. The camera will automatically wind the film all the way out of the cassette and onto the take-up spool before you take your first image. 

As a man, and not having read the manual before loading the camera, I started to get concerned. When I closed the door on my initial roll of film and heard the film advance for so long, I thought the camera was broken and needed servicing. That's just how the X-Pan winds film. When you receive your film back and examine the frame numbers, you will notice that the first frame, or Frame #1, is actually the last image you took, and number 36 is the first image.

 

My Results:

 My wife and I took a drive to Multnomah Falls outside Portland, and since I was going to write about this camera, I took it with me to see how it would perform. 

 Honestly, it's only the third or fourth time I've taken the camera out to shoot with it, mainly because I shoot with the Widelux so much, but this was an excellent time to see how the camera performed.

 The day was overcast, but the crowds were small, and since it had rained recently, the falls were rushing. After shooting the falls, we went into their restaurant to have lunch.

 Here are photos from that small adventure.

Conclusion:

 WOW, what amazing images and camera. I understand why so many people enjoy shooting with this camera. It doesn't have the swing lens curvature like the Widelux has. The X-Pan offers modern advancements over the Widelux, such as auto-exposure, exposure bracketing, and other features, but is physically larger and heavier.

 There's a trade-off for all things, but I'll definitely be using the X-Pan more often. It made shooting very simple and easy. I needed to focus on my subject with the X-Pan, which isn't a bad thing, and the images turned out great.

Another excellent feature of the X-Pan is that it’s a “system” camera, allowing for the use of other lenses. There is a standard wide-angle 45mm f/4 lens, along with a compact telephoto 90mm f/4 lens.

 Thank you for taking a few minutes to read about this fantastic panoramic camera from Hasselblad. A camera I'm fortunate to have in the collection.

 Here's a link to my other Camera Reviews.

 I also have an online store, Cuny's Cameras and Photo. If you see something in my store that interests you, don't hesitate to make me an offer. I'm always looking to negotiate and make deals, and I'd love it if you could share my article.

 Until next week, please be safe.