Voigtlander Prominent 35mm

My father-in laws Voigtlander Prominent

I'm unsure if I'll be able to get another posting out before the beginning of 2026, since Christmas and New Year's fall on the day I generally publish my reviews. Since this might be the final post for 2025, I wanted to make it a special review. 

 Special in the sense that, while the Voigtländer Prominent is an outstanding camera, what makes this camera especially special to me is that my father-in-law owned it, so it holds an even greater, much more cherished place in my collection.

 Let me tell you a bit about my father-in-law. He was the oldest of seven children living in a very small town named Sugar Creek, MO, just outside Independence. They were not a wealthy family, as the father worked at the local refinery. I was told that the house was so small that some of the children had to sleep in closets. At 18, he married my mother-in-law, who was only 17 at the time. By the time he was 22 and my mother-in-law was 21, they had three children.

 Soon after they were married, he joined the Army, where they were stationed in Augusta, GA, where my wife and the third child were born.  When my wife was only 6 months old, my father-in-law and the family were transferred to Naples, Italy. With his wife and three young children, my wife moved to Italy.

My father-in-law always had a passion for photography and, from what I'm told, purchased the Voigtländer Prominent while stationed overseas. After their time in Italy,  the family moved back to the USA. At this point, my father-in-law found a local camera store back near Kansas City, where he honed his photographic skills using the Voigtländer Prominent he purchased overseas.

Voigtlander logo and Prominent name on top of the camera.

 After the camera store, he was hired by Procter & Gamble to sell Duncan Hines cake mixes. He climbed the corporate ladder, moving his family with each promotion due to his outstanding managerial and sales skills. All the while, he still had a passion for photography. He was always taking photos of the family and eventually ended his career as a top executive at some of the largest Fortune 500 companies.

 This article is not only about a truly amazing camera, but also an ode to my father-in-law. Someone I looked up to in my career helped me in so many ways and was a warm, loving, generous, and caring individual. He passed away way too early from an auto accident, almost 30 years ago. We still have his Voigtländer Prominent, which he used, and it's in remarkable condition. For the final post, I wanted to write about this truly excellent camera, which means so much to all the family members.

 I've had the opportunity to purchase other Voigtländer prominent cameras, both the original and the Prominent II, with the standard Ultron and Heliar lenses, along with many different lenses and accessories for their cameras. Still, the camera from my father-in-law is off-limits. It will stay in my collection until I'm no longer around.

 I've reviewed other Voigtländer cameras, so I've written about their history in the past. Let me focus on the history of Voigtländer in a specific timeframe: after World War II, when they rebuilt a fantastic camera brand.

Voigtlander Post World War II:

 Voigtländer emerged from the Second World War with its Braunschweig factory largely intact and quickly resumed work under British military oversight, initially dedicating much of its output to Allied reparations until the new West German currency was introduced in 1949. This relatively undamaged industrial base, combined with a strong pre‑war optical tradition, allowed the firm to re‑establish itself rapidly as a key player in the post‑war German camera industry.​

 In the immediate post‑war years, Voigtländer revived and modernized pre‑war designs, adding new anti‑reflection coatings to lenses and continuing large‑format and medium‑format lens production. The company remained under the ownership of the chemicals and photographic‑paper firm Schering AG, which had acquired it in the 1920s, providing financial stability in a challenging economic climate.​

From Voigtlander Catalog Credit: Pacific Rim Camera

 The 1950s became Voigtländer's golden decade, marked by a broad range of high‑quality cameras and lenses that cemented its international reputation. Compact 35mm lines such as the Vito and the more sophisticated Vitessa appeared alongside the professional Prominent 35mm rangefinder. At the same time, optics like the Ultron, Nokton, Apo‑Lanthar, and Heliar established the brand as a leader in lens design. In 1952, Voigtländer introduced the Apo‑Lanthar 105 mm f/4.5, and in 1959, it launched the 36–82 mm f/2.8 Zoomar, one of the first interchangeable zoom lenses for 35mm still photography.​

 In 1956, Schering sold Voigtländer to the Carl Zeiss Foundation, bringing it into the same corporate orbit as Zeiss Ikon while initially keeping manufacturing and sales structures separate. Throughout the late 1950s and early 1960s, Voigtländer expanded into leaf‑shutter SLRs and advanced models such as the Bessamatic and Ultramatic, but the cameras were complex and costly to build. As Japanese manufacturers increased efficiency and undercut prices, Voigtländer's high production costs and conservative designs became major competitive disadvantages.​

 In 1965, Zeiss‑Ikon and Voigtländer's sales operations were combined, but falling sales led to the decision to cease camera production and close the Braunschweig factory on 4 August 1971, affecting over 2,000 employees. The physical works were reorganized as Optische Werke Voigtländer, with shared ownership between Zeiss, Rollei, and the state of Lower Saxony. By 1974, Rollei had taken complete control, continuing to produce lenses and cameras under the Voigtländer brand until its own financial collapse in the early 1980s.

 The trademark then passed through German photo retailers and, from 1999, has been licensed to Cosina in Japan, which uses the historic name on modern manual‑focus lenses and niche film cameras, giving Voigtländer a new life in the era of digital photography.

My Camera:

 My Voigtländer Prominent comes with the standard Ultron 50mm f/2.0 lens. The camera body serial # B 46551, and lens serial # 3782651. With this camera, there is a Voigtländer UV filter that I generally leave on the camera, along with a yellow filter for black-and-white photography, a rectangular metal lens hood, and the fitted brown camera case. The camera is 5.5" wide by 3.5" tall by 3.5" deep, and weighs 2 pounds, 0.8 ounces without film.

 The Voigtländer Prominent has some weight to it, and for me, it feels very comfortable in my hands. Maybe because it resembles an SLR more, like what most people are used to with rangefinder cameras. The camera has a somewhat peculiar layout and is something you'll need to get used to.

When you put the camera to your eye, the viewfinder is on the right side of the camera, which, for many, is different. The majority of cameras have the viewfinder either centered or more to the left than to the right. The focusing ring isn't on the lens, but located on the rewind knob. As you turn the outside of the rewind knob, generally used to rewind the film in the film cassette when you're done with the roll, on the Voigtländer Prominent, it focuses the lens. 

Looking through the viewfinder, the rangefinder is bright, with the yellowed area in the center clearly visible. With your left hand, turn the outer ring of the rewind knob to focus on your subject. Once the image is in focus, take your photo. Under the focus distance is the camera's depth of field guide for the aperture used. 

To take a photo, on the right-hand side of the camera is the film advance lever; wind it clockwise to advance the film. The same motion that advances the film also moves an internal bar that cocks the shutter. The shutter speed dial on the Syncro-Compur shutter is set by turning a ring just in front of the shutter cocking lever. The shutter speeds on this camera go from 1/500 to 1 sec, with "B" for timed exposures. According to the Voigtländer Prominent camera manual, it's best to set the 1/500 shutter speed before winding the camera, which cocks the shutter. You can set any shutter speed once the camera's shutter is cocked, but 1/500's not recommended.

If you want to use the camera's self-timer, it can be manually set by pulling down on the shutter's cocking lever once the camera is cocked. This sets the camera's self-timer to approximately 10 seconds when the shutter release is depressed. The camera's shutter release is the larger button on the top of the camera, just to the left of the film transport knob. Behind the shutter release is the cable release socket for timed exposures.

Top view of Voigtlander Prominent camera

Looking at the lens, the aperture is set by turning the aperture ring in the direction that produces a properly exposed image. On the Ultron 50mm lens, the aperture goes from F/2.0 to F/16. To remove the lens from the body, on the bottom of the lens is a large button you press in; interestingly, you can remove the lens by turning it left or right. Likewise, to put the lens onto the camera body, make sure the large button is on the bottom. You can mount the lens either to the right or left as long as the button end is on the bottom.

 Since the camera utilizes a leaf-style shutter as opposed to the standard focal plane shutter, the flash will sync at any shutter speed, which allows the photographer the ability to control the ambient light with flash much better, and this makes film cameras such as Hasselblad and Rolleiflex cameras ideal for weddings, portraiture, and commercial studio work. On the front of the camera, at the 11:00 position, is the PC sync for flash, along with the flash settings: "X" for electronic flash or "M" for flash bulbs.

To load film into the Voigtländer Prominent camera, on the left side of the camera are two buttons you press to open the camera's back door. Once open, you load the 35mm film just as you would any other 35mm camera. Push up the rewind shaft, drop in the 35mm cassette, and bring the leader over to the camera's take-up spool. Thread the leader into the take-up spool slot and wind the film advance. Make sure the film's sprocket holes are in the drive gears and take up the slack. Before closing the back of the film door, I like to turn the rewind knob to take up the slack in the film cassette, so when I close the back and wind to the first frame, I watch the rewind knob turn to make sure the film is actually moving within the camera.

 Once you close the back door, the frame counter needs to be set manually. To do this, lift up on the winding knob, then turn the camera's frame counter to "F" to give you a couple of turns on the film advance until you get to frame number 1.

When you're done with the roll of film, you'll need to rewind it into the film cassette. The rewind knob has an arrow pointing outward. Push the button outwards, and the rewind handle will pop up. Just below the cable release socket is a small button labeled "R". Press the "R" button to disengage the transport gear, then turn the rewind knob clockwise to rewind the film into the film cassette. Once the film is rewound, open the camera back, process the film, and reload the camera with more film. 

 

My Results:

 I loaded the Voigtländer Prominent with a roll of 200-speed film and took one of our dogs to the local dog park to get the pooch some exercise, taking photos of a different area than walking through the neighborhood as I usually do.

 Here are some photos from the local dog park and the shadows on my back patio on a beautifully sunny day in the Portland Area in December. It wasn't a typical December day in this area, so I wanted to make the most of it.

Conclusion:

 I really love this camera. The images are incredibly sharp, and this camera gives Leica and Contax a run for their money. It's exceptionally well-built, the lenses are tremendous, and I like the camera's size and weight.

 The system's weakest link is its lack of lenses, and for many, the camera's focus is a drawback. I've read that people don't like having the viewfinder on the right side, which makes it more challenging for them to use the camera. I don't find it annoying, as others do.

 Here's a link to my other Camera Reviews.

 If you're looking for a camera, lens, or other photo oddity, please stop by my eBay store, Cuny's Cameras and Photo. If there's something that interests you, mention my blog, and I'll offer you a discount.

 Thank you for taking a few minutes from your day to read about this excellent camera with extremely sharp lenses. If I don't post another review before the end of the year, please have a Happy Holiday and a fabulous New Year.

 Until next time, please be safe.

Argus Model C camera

My Argus Model C camera

During my time working in a camera store from the mid-1970s until the mid-1990s, I must have seen hundreds, if not thousands, of Argus cameras, and to be more specific, the Argus C3, or as they were affectionately known as, "The Brick" because of their boxy shape and very sturdy construction. These cameras came in on an almost daily basis just because they were so popular back in the 1940s and '50s.

 I saw so many Argus C3 cameras in my time in the camera store that, when it came to collecting cameras, I had no interest in collecting this particular model. Yet, it seemed like every time I purchased a group or "lot" of cameras, there was always an Argus C3 in the groupings of cameras. 

 I still recall thinking that if I collected enough Argus C3 cameras, I could build a retaining wall in my front yard out of them, as it was cheaper to get the Argus C3 than to purchase real clay bricks.

 To this day, I still see the Argus C3, or similar models like the C2, C3 Matchmatic, or C33, all the time at people's garage sales, estate sales, and camera shows. It is undoubtedly one of the most sold cameras in the history of photography.

 With that said, I'm still looking for one model, which I'm certain I came across during my time at the camera shop. It's the original Argus Model C camera, featuring a dual range switch located under the shutter cocking lever. It's a little earlier than the camera in this blog post, but the pricing for one of these is higher than I'm willing to pay for, so I'll wait and see if I can find one during my quest for a camera. 

 For me, the fun is the hunt for the treasures. The thrill comes from finding a camera or other photo item I've been looking for, especially when it's in an unexpected place and hopefully at a reasonable price.

History:

 Argus Cameras holds a unique place in photographic history as a pioneering American camera manufacturer that made high-quality photography accessible to the masses. The company was founded in 1931 in Ann Arbor, Michigan, as the International Radio Corporation (IRC), by local businessmen including William E. Brown Jr., George Burke, and Charles Albert Verschoor. Initially, IRC's primary business was radios, but seasonal sales fluctuations led Verschoor to seek another product to stabilize revenue. Inspired by the success of his molded plastic radio cases, he envisioned an affordable camera built with similar materials.

This is the early version with switch under cocking lever

 In 1936, IRC launched the Argus Model A, the first low-cost 35mm camera manufactured in the United States. Priced at just $12.50 when most competing models were much more expensive, the Model A democratized 35mm photography and quickly found commercial success. The Model A's innovation lay in its molded plastic body, making it both durable and less costly to produce.

 This success prompted IRC to focus entirely on cameras, eventually adopting the name Argus, Inc. in 1944, and later Argus Cameras, Inc. in 1949. The company's most iconic product, the Argus C3, was introduced in 1939. With its brick-like appearance and robust rangefinder mechanism, the C3 became known as "The Brick" and enjoyed a production run lasting until 1966, with more than two million units sold. The C3 is widely regarded as one of the best-selling cameras in photographic history.

 During World War II, Argus shifted its production to support the war effort, manufacturing military optics and radio equipment for the U.S. and Allied armed forces. By the war's end, Argus had received multiple Army-Navy "E" Awards for excellence in production. After the war, civilian production resumed, and Argus became the second-largest U.S. camera manufacturer, trailing only Kodak.

 In the late 1950s, the company was acquired by Sylvania Electric Products and later sold to Mansfield Industries. Over time, as competition intensified, especially from Japanese manufacturers, Argus struggled to maintain its leadership. U.S. camera production ended by 1969, but the Argus brand persisted in importing photographic products.

Today, vintage Argus cameras, especially the Model A and C3, are valued collectibles. The legacy of Argus endures as a symbol of inventive American manufacturing and mass-market photographic innovation.

My Camera:

 My Argus C dates from 1938, has a serial number of 12127C, so it's not one of the earliest models, but it was introduced before the Argus C2 was introduced in late 1938. The Model C measures 5 3/8" wide by 3" tall, including the shutter release, by 3" deep, including the lens. My Argus Model C camera weighs 1 pound, 7.4 ounces without film loaded in the camera.

The camera has a 50mm f3.5 Argus lens with aperture settings of F/3.5, 4.5, 6.3, 11, & 18, which are odd compared to aperture settings now. The aperture setting is made by turning a ring with two knobs on the inside of the lens that line up with a black line on top of the lens. 

The item missing on early Model C cameras is the coupling gear connecting the focusing ring on the top left to the lens, which adjusts the lens distance during focusing. To focus this model, look through the rangefinder window on the back of the camera, bring the two lines together to focus, and then check the front of the rangefinder dial to determine your distance from the subject. Finally, set that distance on the lens. On the side of the lens, there are markings indicating the focusing distances for the subject. There is an aluminum thread in style lens cap for the Argus Model C camera I own.

The shutter speed dial is located on the top right-hand side of the camera, on the front. The shutter speed settings are 1/300, 200, 150, 100, 75, 50, 30, 20, 10 & 5. There is no "B" setting on the shutter speed dial. The "B" setting is actually set on the "mushroom" shaped shutter release. You can turn the shutter release to either settings, "I" for instant, or to "B" for bulb, or timed exposures.

 The camera's shutter also needs to be cocked before you can snap the photo. The shutter cocking lever is located on the front of the camera, positioned on the far left side, in the middle. It looks like a handle that you flip down to cock the shutter, then springs back up after the shutter is released.

 On the back of the camera are just two small viewfinders. The one on the right is the rangefinder, which has a split that, by turning the focus wheel, will bring two separated vertical lines into one straight line when focused. The other window on the left is the framing window used to frame your subject when you're ready to take the photo.

To open the back to load the film, press the bump on the left side of the camera. This presses in a bar that holds the back onto the body. My camera is very difficult to open by just pressing the button, so I sometimes need to use a small screwdriver to pry the back up slightly to get it to open.

 Once open, the camera looks like any other 35mm camera, with the take-up spool on the left side. The fresh roll fits onto the right side by pulling pot the rewind knob on the bottom of the camera, bring the lead over to the take up spool, and thread into the take up spool. The film advance knob is on top of the camera. To wind to the first frame, there is a small locking lever just behind the frame counter that needs to be pressed down. This unlocks the winding gear, allowing you to wind to the first frame. Close the back of the camera and start taking photos.

This process must be repeated every time you wish to advance to the next frame. Additionally, at the end of the roll, the locking lever must be pressed down to unlock the drive gears, allowing the film to be rewound into the 35 mm cassette.

 The real reason to write about this camera was more of an exercise on how easy it was to use the early Mode Cameras, especially during a time of rapid change with cameras. Like many cameras from this era, it's not the quick and easy cameras of today, where either the shutter or aperture is being set for you. In many circumstances, both settings are being set. 

 To use cameras from this era, you need to take your time and use an external light meter to get the proper settings for your camera. Set the shutter speed and aperture settings depending on the film used. Do you lean more to the aperture and depth of field, or shutter speeds and stopping motion? Then focus on your subject. In this case, focus, then transfer the settings to the lens regarding distance. Frame your image and take the photo.

 On my camera, I also have an accessory finder, which clips onto the top for showing what a 35mm wide-angle or 100mm telephoto will do. I leave it on my camera to hide a bit of paint scratched off by it, as it's more for show, and I don't have either of these lenses. There were several different lenses available for the Argus C line of cameras, as the lens just unthreaded from the body. 

My Results:

 Once you slow down and think about the process, which I'm very used to, the images are really nice. Here are a few from my walk around the neighborhood.

 I photograph similar items, which I am sure you'll notice if you're a regular reader.

Conclusion:

 While the camera isn't the most ergonomic one I've used, it's certainly not the worst.

 The camera performed very well. The images are sharp, and the shutter and aperture were easy to use. The one thing that slowed me down was the process of focusing, then transferring the distance to the lens before taking the photo. The addition of the coupling gear between the focusing wheel and the lens, which sets the distance on the lens, was a vast improvement for Argus. Without this improvement, I doubt they would have sold the number of cameras as they did.

 Thank you for taking a few minutes from your day to familiarize yourself with this early model camera from Argus.

 Here is a link to my other camera reviews.

I also have a shop on eBay, Cuny's Cameras and Photo. Please stop by and see what new and wonderful photo items I have for sale.

 Until next week, please be safe. 

Riley Rilex camera

My Riley Rilex camera

The first time I saw the Riley Rilex camera was at a camera show in Seattle, WA, about six months ago. I was selling cameras and other photo items at the show. A friend who had driven up from the same area I live in and know well approached me looking to sell the Riley Rilex camera.

 He handed me the camera, and my first impression was that it was an odd and unusual-looking press-style camera. It was a full-sized 4x5 press camera, but It's a more miniature 2 1/4 x 3 1/4 press-style camera. There's a large handle on one side, making it very easy to handle and carry, but what caught my eye was the bright aluminum camera body and how light and compact the camera was. A rangefinder was attached to the side of the camera, and the focusing method seemed sketchy and rudimentary but was in working condition. 

 Playing with the camera, the shutter worked well, the aperture moved as it should, the bellows were intact and seemed in excellent condition, and the focus was smooth. When my friend told me the asking price, I told him I didn't do much with this style of camera and handed it back to him, but then he lowered his price, and my thought was, this seems to be an odd and unusual camera, it would be fun to write about it. I had never heard of a Riley Rilex camera, so it would be fun to research it. I thought I had some holder back home, so I pulled the trigger and purchased the camera from him with the intent to write this article about it.

Nameplate on my Riley Rilex camera

 I've owned several Graflex Baby Graphic cameras, so I'm not unaware of the smaller press cameras made during the 1940s and early 1950s. The Baby Graphic cameras are fully enclosed within the camera body, which is covered in black leatherette. Here is the Riley Rilex camera, which is almost the direct opposite. It is bright and shiny, made from lightweight aluminum, and without a boxy case, the lens and bellows fit into. What an odd and wonderful-looking camera.

The Company:

Several camera companies opened up in Southern California just after World War II. Companies like Printex, which manufactured a 4x5 Press camera in Pasadena, CA; Newton Photo Products in Los Angeles, CA, which made a lightweight view camera; and Brand Camera Company, also of Los Angeles, also made a rail-style view camera. All of these companies opened right after World War II, between 1947 and 1947, giving returning soldiers employment and hoping to build onto the growing photographic industry of the time.

 Curtis Riley was a tinkerer, amateur inventor, and aircraft engineer at Lockheed in Los Angeles, CA, during the 1940s. A photographer friend, frustrated by the weight of press cameras during this time, mentioned to Curtis that the cameras were rugged to carry around. Curtis, at the time, was working with lightweight aluminum for the aircraft industry, so he took up the idea of coming up with a lighter-weight camera for the industry.

Ad for Rilex camera

This was the start of the husband and wife-owned company, Riley Research Company, located at 128 Berkeley Street, Santa Monica, CA. Curtis came up with the design of the Riley Rilex camera, and they started to produce the aluminum body camera. It's unknown how many employees they had or if they did most of the manufacturing themselves. The design is relatively simple, and once the camera pieces were machined, putting them together wouldn't be difficult. It was confirmed that Gay, Curtis's wife, would fold the bellows at the kitchen table, and from what I understand, it wasn't her favorite job.

It's estimated that The Reily Research Company produced around 800 cameras over three years, during which the company was in business. The cameras had the option of a Wollensak Raptar lens in an Alphax shutter. If you wanted the Rapax shutter with speeds up to 1/400 sec., that was an additional $12.00.

 Advertising of the camera started in the fall of 1948 with ads in Popular Photography and local camera stores. The Riley Rilex camera was advertised for $49.50, including a tax-free lens. The rangefinder was "optional Equipment." In the advertisement listing the included Lens and Rangefinder, the camera is listed at $99.80, with a savings of $35.24.

 Unfortunately, the Riley Rilex was only advertised for three years, from 1948 to 1951. Due to the success of this small camera company in filling a requested need, other larger manufacturers began building a similar style of camera. After 1951, Curtis and Gay moved on to other endeavors, and the Riley Rilex camera became a desired collectible camera. 

The Camera:

My Riley Rilex camera measures 7" wide, including the metal handle, by 6" tall, including the eyesight knob, which doubles as a tightening screw on the back of the camera by the rotating back, by 6.5" with the bellows extended or 5.25" with the lens and bellows retracted. My Riley Rilex camera weighs 2 lb. 14.6oz and includes a 101mm f4.5 Wollensak Raptar lens in a Rapax shutter. My camera was an upgrade to the information above. I also have the Model B camera with the serial number 617 

 The Riley Rilex camera was made in three models: A, AB, and B. The first model, the "A," was short-lived, as the recommendation of adding a rangefinder to the side of the camera was made. The first production run was halted to add a rangefinder and the focusing rod to the camera's right side. I've seen some examples of the Rilex camera with a Kalart or Hugo Meyer rangefinder. One of the other modifications was having a rangefinder that supported an external flash.

To use the external rangefinder on the Rilex camera, a focusing rod comes out of the top of the rangefinder and leans up against an aluminum block attached to the focusing rack and pinion rod for focusing capabilities. When you used the rack and pinion focusing on the camera, the focus rod would move, thus focusing on the rangefinder.

 You can also use the traditional ground glass on the back of the camera, which flips down or up depending on the orientation of the camera's back. The back of the camera is highly polished chrome, which adds to its look.

To change the orientation of the cameras back from horizontal to vertical, the eyesight, which can be used with the wire built into the front frame, can be used as an action finder, which can be turned to lock or unlock the back rotation. There is a small line just behind the eyesight knob to show the camera's back is level with the camera.

 The camera offers full swings, tilts, rises (no falls), and horizontal shifts from the front brace of the camera. Like the back, there are centering marks on the front to quickly return the camera to a level and even settings on the camera. One thing on my camera that I'm sure some have already noticed is that I'm missing one of the knurled nuts that hold the 2 3/8"  lens board onto the camera body. That wouldn't affect the clarity or ability to use the camera. It's more of a visual appearance flaw than anything.

Unfortunately, I don't have the film holder for this size of the film, and the back of the camera cannot be easily removed to use a roll film adapter, so I could not use the camera, which would have been fun to try.

 

Conclusion:

I've had the absolute pleasure of continuing correspondence with Curtis and Gay's granddaughter, Barbara. She has helped me with this article by providing fabulous family photos and advertising for the family company. I want to thank her for all the insight she's offered me, which is tremendously appreciated.

 The camera itself is marvelous. It's small, compact, and visually appealing. The bellows are made from a stronger material than most view or press cameras, and it's terrific to think they were all hand-folded.

 I need to find a small film holder to try out this camera. I know I've had them, but I must have sold them with other cameras or just separately. Once I actually use the camera, I'll be sure to update this post with some images it produces.

 Thank you for reading about this unique family-owned camera company from Los Angeles that filled a niche product people were asking for at the time.

 Are you interested in reading my other camera reviews?

 I also have a store on eBay, Cuny's Camera, which has some odd and unusual products, including cameras and lenses.

 Until next week, please be safe.